Chapter 3 - The Day We (Sort Of) Met George HarrisonIt was late summer. A bunch of L'Auberge regulars decided to take a Sunday trek to see George Harrison, who was rumoured to be living in a little village named Esher. We hopped on the double-decker bus in Richmond, and after an hour or so of riding we arrived in Esher. The ten of us were a scraggly lot, all would-be hippies trying to grow our hair long, the girls dressed in shawls and long skirts and granny boots.
Our goals were the standard ones in 1969 - California Jon, Canadian Peter and a couple of other guitarists had made a tape, and wanted Harrison's opinion of it. I had a copy of my just printed haiku chapbook, Cricket Formations, and I hoped to get up enough nerve to present my poems to my idol. And of course we all wanted to meet a real live Beatle!
Harrison was my favourite Beatle, largely because he was the one closest to me in physical appearance, with his craggy face and dark hair. I had modelled my haircut and clothes on Harrison for some time. I also thought he was the most interesting Beatle because of his enthusiasm for Eastern mysticism.
Someone had gotten good directions, for we actually found Harrison's house without a lot of trouble. Located in a very staid, upper-middle-class suburban neighbourhood, the house stood out like a psychedelic advertisement. A high fence bordered the large lot, and the house was painted a myriad of colours, like something out of the movie Yellow Submarine. We were all entranced to be setting foot in a sacred preserve of Beatledom, and after knocking on the door and receiving no answer, we boldly began surveying the premises.
"MICK & MARIANNE WUZ HERE!" was spray painted on the front wall, and this further consecrated the property. Our rock heroes actually lived here, visited with each other, slept together, and had probably done these wild paintings on acid trips like our own. We were all strengthened in our faith as true believers in hippiedom.
Some of the group camped by the front door, and the guitar payers started scratching on their ubiquitous instruments. I wandered around, and found a pair of George's jeans hanging on a clothesline. For a fleeting moment I was tempted to steal them, to see if my hero's jeans would fit.
An invitation inside was not forthcoming, although I believe Patti wanted to ask us all in. We were all so enthralled at meeting George and Patti, awkward as all involved had been, that we decamped and blissfully headed back in the dusk for the bus to Richmond.
Several weeks later, a few members of the entourage went back to pick up the tape. Apparently a record contract wasn't immediately offered, but Canadian Peter did have some good news for me. George Harrison told me to tell you that he really liked your poetry. I was thrilled, even though I now realised that Harrison was a mere, awkward mortal, and I was no longer in his thrall. As a postscript, I note that George Harrison's first solo album, All Things Must Pass, had the lyrics printed on the sleeve like poems. I like to fantasize that maybe my booklet had some subtle influence, but that's wild hope and speculation ...
Eel Pie Dharma is protected by international copyright laws. Individuals may print off a copy of this work for personal use only to facilitate easier reading.